The Fall

An installation at the Stadsgalerij, Heerlen, the Netherlands, accompanied by a publication, playfully explored the intersections between religious and artistic conceptions of creation and creativity, gender roles, and superficial preconceptions surrounding the notion of ‘the fall of man’.

For the opening, visitors were invited to share a picnic on artificial grass laid across the gallery floor, blurring the boundaries between the role of gallery visitors and art objects.