Aficionado, 2024Schaulust, 2023Black & White, 2026Beetroot Skull, 2022Acrobat, 2023Me, Myself and I, 2023Johan in Dordrecht, 2025Il Salvatore, 2023Master Copy, 2024Gender Politics, 2025Primavera, 2023Double Exposure, 20254’33”, 2026Spanish Usie, 2024Hommage to Dr. Nicolaes Tulp, 2024Potsdam Patch, 2024Artist in his Studio, 2023Studio Wall with Ferdinand Hodler’s Blühende Kastanienbäumchen, 2019Decollage, 2026Das Direktorat, 2025Panorama, 2025Woman in White Coat, 2025AGA Lab Splash, 2024Freak Show, 2026From the Gem Museum Collection, 2025The Chair, 2023Sneeuwwitje, 2024Hommage to Ad Reinhardt, 2024Retail, 2025Fashion Show, 2025Iconoclasm, 2023Disabled Windmill, 2024Decollage, 2025Purgatory, 2026Sheep, 2025Creator Unknown, 2021Infosphere, 2020Paint to Sample, 2026Olive Oyl, 2025Fighting Paint with Paint, 2024
In my ongoing project, “The Painting Show”, the camera functions as both an image-making and collecting device. I photograph reflections, shadows, accidental juxtapositions, and visual fragments encountered in studios, museums, galleries, and public spaces. These images reflect an ongoing fascination with painterly manifestations of human activity and the forces that shape the lives of images.
Each photograph undergoes varying degrees of digital post-production, sometimes incorporating Photoshop or AI-based interventions, before joining an expanding image archive.
The above is just a small selection of a growing collection.
Each pigment print is 68 cm by 90 cm (without the white border).
